Train Time

Pete and I just got back from a winter trip to Colorado. It was a real vacation — we drove around the mountains and mesas, hiked up side canyons, went to bed early, slept in, ate our hosts’ homemade biscuits and gravy for breakfast. (We also saw Christie, who made us such good pizza, and sang karaoke with her husband Dave and her delightful friends.)

The supposed goal of our trip was to get better at cross-country skiing, which for us meant wobbling, occasionally gliding, falling over, and getting back up until our legs were too tired to ski anymore. But we were just as excited about two 24-ish-hour Amtrak train rides we’d booked to and from Colorado — first going east from Sacramento to Grand Junction, where we rented a car, then west on Amtrak from Grand Junction back to Sacramento.

Neither Pete nor I had ridden an overnight train before. We boarded at 11am the day before Christmas Eve and tucked ourselves into our roomette, a matchbox-sized compartment with two fold-down bunk beds. We opened and closed our tiny storage cubbies and our little tray table, then converted our seats into the lower bunk, and took an 11:30am nap. There was no WiFi, but we didn’t care.

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Number the Days

I first wrote the following post about how much I love new calendars in January 2020, when I was full of ideas and plans about the coming year. Oops. But even as the pandemic waxed and waned, I continued to love calendars. I’d head into January with the idea that I needed to start this new month, and this new year, with renewed energy and enthusiasm. I opened up my clean new calendars, I made lists, I came up with “programs.” This was the year that I’d get on top of my finances, that I’d finish the book, that I’d become both a dedicated meditation practitioner, adept at slowing down and being in the present moment, and also pack the days with everything I wanted to learn: Spanish, mandolin, quilt-making, capoeira.

Well. By the end of January, all my plans fizzled. Instead of starting the year strong, I’d fall on my face. Last year, the one thing I completed in January was binge-watching the series “Younger, which felt like it was speaking directly to my soul. I, too, had spent all this time raising my kids and now was in the no-woman’s-land doldrums of middle age (but, unfortunately, no one was confusing me for Sutton Foster.)

Around the same time as I descended into the first of seven seasons, I began hearing rumblings of rebellion against January as a month of getting your life together. I’d get newsletters from writers like Anna Brones talking about using midwinter as a time of restoration. Hmm. Was that even possible for a calendar lover?

I’m giving it a try. I did buy my big Ansel Adams calendar, but it’s still sitting in the closet in shrinkwrap. I have a daybook, but I haven’t written in it for the past two days. I still haven’t gotten the 2024 edition of the desk calendar I’ve been relying on for several years to track activities and adventures.

I feel . . . surprisingly ok. The days seem less packed, and I haven’t been worried that I’m already behind, because I wasn’t trying to get ahead. I’m finding myself looking more at the trees and the winter stars.

One more good thing: by the time I get my desk calendar, it will probably be on sale. Look at me, making progress on my finances after all!

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So, on Monday I went away to get some writing done. I was at a cheap AirBnB 10 minutes from my house. It’s the first week in January, and although I’m one of those people who doesn’t believe in New Year’s resolutions, I wanted some time at the beginning of the year to see where I was on some various projects. And to work on my calendars.

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Not Everything Is Terrible

A glass jar filled with lit sparklers at sunset, the glittering sparks illuminating the dusk.

Ed. note: It’s easy to believe that literally every single thing on this earth is broken, awful, and/or doomed. But it’s not true. Some things (not most, but some!) are good. Here are a few unexpected moments—and geese—that have comforted us, given us hope, or brightened a difficult day.

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The People of LWON Tell You What to Watch

Welcome to the second of three LWON end-of-2023 lists. This time, we look back at the film, video, and television that has moved us this year.

For further view-spiration (viewspo?) here are the lists from four previous years:

2017, 2016, 2015, 2014

Ann:  Britbox’s Desperate Romantics: it’s a series that knits into a single feature about the Pre-Raphaelite Brotherhood who are, if the series is to be believed, every one of them a goof or a nitwit or a prig or a cheery predator or John Ruskin, all flintily ambitious, all obsessed by art and sex, plus their sad or bouncy objects of worship. They’re very funny and are pretty much what you’d think of them if you look hard at their art.  

Sally: Are you feeling so anxious that prestige TV can’t keep your attention from drifting to your problems? May I suggest Made In Heaven and Jee Karda, two shows that will wrestle your focus to the ground with sheer sensory overstimulation. Made in Heaven is about two friends who launch an Indian wedding planning company – a tough-as-nails lady-who-lunches and a gay man coming to terms with being out in a complicated family. Come for the absolutely dazzling fabric and beauty porn, stay for the investigations into class divisions that show Americans are not the only people with problems. This show has everything: lavish, luscious Indian weddings, attractive people with big problems, and didactic Afterschool Special-style episodic storylines whose over-the-top absurdities weave into far more serious, heartrending and genuinely nail-biting series arcs. These are complicated characters who you will love and root for even when they are at their most objectionable. Jee Karda is about a group of childhood friends who are given a narrow premonition of their futures – and the 30th birthday party at which they are finally allowed to understand the full picture. Like Made in Heaven, it’s an affecting drama in a shiny, frilly soap opera costume. Neither show will leave any bandwidth in your brain for critical analysis, or for your own problems. Just sit back and let the sequins, music and drama blast your brains out of your skull. 

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The People of LWON Tell You What to Read

Welcome to a longstanding LWON tradition: our end-of-year recommendation lists. The idea is to provide our beloved readers with curated experiences to fill the rare moment of silence that is the last week of December. Below is a list of top-notch reading material we’ve discovered this year, and if you’re looking for further inspiration, do peruse these seven previous ‘what to read’ lists:

2021, 2019, 2018, 2017, 2016, 2015, 2014

Jessa: I heartily recommend The Swerve: How the World Became Modern, by Stephen Greenblatt. But don’t take my word for it, just ask the 2012 non-fiction Pulitzer Prize jury. It centers on the moment Lucretius’ On the Nature of Things was unearthed in a monastery during the Renaissance, and it paints a vivid picture of everything surrounding that event, which it nominates as the moment modernity began.

Ann:  A friend who’s also a writer has been telling me to read mid-century British novels written by women and so I took a whack at one of them and found her lacking, and then my friend told me again and the upshot is that I’ve now read all of Jane Gardam, Rumer Godden, Penelope Fitzgerald, and sometimes I read Barbara Pym.  I won’t even mention Margery Sharp and Muriel Spark because I read them long ago. They’re not all the exact same age but they do overlap.  They’re all uneven; not one of them stopped writing until she keeled over.  I’ve read these books repeatedly because my goodness sakes alive, these writers are smart as they want to be and they can WRITE.  What was going on in the mid-twentieth century Great Britain? Besides universal post-war deprivation, added to a cultural position which induced boredom, plus excellent educations?  Maybe that’s enough.  So, my own favorites, not necessarily the best, just the ones I most like rereading: Gardam: the Filth trilogy.  Godden: In This House of Brede. Fitzgerald: At Freddie’s. Pym: Excellent Women.  Sharp: The Innocents.  Spark: A Far Cry from Kensington.

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Redux: A Grayling Visit

Earlier this week, I found myself scrolling through photos on my computer, reminiscing semi-fondly on the year that was, when I stopped short at a series of pictures from a reporting trip I took this summer to Nome, Alaska (story still TK, alas). Like many of my reporting trips, this one also doubled as an angling excursion, especially since the Arctic daylight persisted until well after midnight, meaning that even long days of journalisming could end with me standing waist-deep in the Nome River. The river turned to be full of spectacular and obliging Arctic grayling scales with the glittery sheen of oil on water, dorsal fins proud as flags — and I felt profoundly fortunate to stand in the presence of such gorgeous creatures in their native habitat. The experience also reminded me of catching grayling in the high lakes of Idaho, which I wrote about for LWON back in 2020. Those starving alpine fish were guppies compared to the robust torpedos that cruised along the Nome River, but I still recall them fondly — the sheer surprise of finding them up there, the delicacy of their sleek little bodies, their avidity. Below, two more pictures from my Arctic adventure this summer, followed by a reprise of that 2020 essay.

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Guest post: A plunge into the artificial sweat industry

A reporter and her artificial sweat.

Some time ago I purchased a tiny bottle of synthetic sweat from a reputable chemical company for $141. The bottle of “Artificial Eccrine Perspiration – Stabilized” contained a teaspoon (5ml) of a fluid that mimics something many of us produce in vast quantities to cool down, or at least I do. During a recent 45-minute spin class, I collected nine teaspoons of my own sweat by catching it in a mason jar as it poured down my skin.

In fact, if you put all humans on Earth in an enormous sauna so that we began to sweat collectively, we would all produce a flood of perspiration on par with Niagara Falls on a hot summer’s day – a bemused employee at the Niagara Parks Commission helped me figure this out based on average human sweat rates from our 2-5 million sweat pores.

This raises an important question: why would anyone need to buy artificial sweat? Moreover, should I start a side business selling my own sweat, given that I could make $1,260 every spin class?
The synthetic sweat company, Pickering Labs, where I bought my teaspoon sample of sweat, sells more than 50 different kinds of synthetic sweat products. When I asked Pickering Labs about the size of its synthetic sweat sales, back when I was writing the book The Joy Of Sweat, the company’s director of operations, Rebecca Smith, demurred. However, she did note that “it is safe to say we sell hundreds of gallons of artificial perspiration each year.” In fact, compared to synthetic mimics of other bodily fluids, such as saliva, urine, or earwax, Smith said “artificial perspiration is our largest selling product category.”

Despite humanity’s homemade supply, bottles of artificial sweat circulate the globe to satisfy the demands of an artificial perspiration market. Multiple industries — forensic, handheld electronics, textile, jewelry, music — rely on a steady supply of pseudo-sweat to comply with government regulations or to ensure their products’ quality does not plummet from the sweat dripping off overheated humans.

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