When Wordle Gives You Icky Words

Sashay_Britt.Reints.jpg (1024×681)

This post first ran on January 28, 2015, but I thought of it again recently while playing Wordle and finding that that day’s answer was “moist.”


Words are a writer’s currency, and we each have our favorites. The first word I remember falling in love with was onomatopoeia. It had a satisfying rhythm, plus there was the delight of discovering, oh — there’s a word for that.

That joy of discovery was exactly what I felt reading Lost in Translation, a delightful new book by Ella Frances Sanders, who draws illustrations to help explain “untranslatable word from around the world” like trepverter (Yiddish for the perfect retort that comes to you later, when it’s too late), iktsuarpok (Inuit for the act of repeatedly going outside to check if anyone’s coming), cotisuelto (Caribbean Spanish for a man who insists on leaving his shirt tails untucked) and tsundoku (Japanese for leaving unread a book you’ve bought, perhaps piling it on top of a stack of other books you haven’t read).

English also has no true equivalent to my own favorite foreign word: gemütlichkeit, a German term that connotes the kind of warm coziness you feel when gathered around a fire with your dearest friends, perhaps drinking Glühwein. It must exist in some language, but I’m still seeking a word to describe a dog’s joy while frolicking in fresh snow.

Many of my beloved English words are onomatopoeic ones like flicker, boing, ripple, riffraff, guffaw and clusterfuck. As a kid, my favorite part of art class was the smock. Not the thing itself, but the occasion to say the word aloud, repeatedly. Smock, smock, smock. I don’t know why I love it, but I do. I also love sassy and saucy and, especially, sashay. I could say that word all day.

Some friends of mine live on Twining Flats Road, a name as close to perfect as I can imagine for their little valley path. Speaking of paths, I like meander and lollygag and serendipity too. Maybe it’s my affinity for dancing, but I also love the words funk, groove, twist, skip and twirl.

Chuckle is another favorite word. It so perfectly embodies the act that it describes — that deep, unconscious laugh performed almost under your breath and mostly to yourself. What’s not to love?

A lot, according to some of my fellow LaWONians. I can’t remember how it came up, but some other writers here tell me that not only do they not like chuckle, they despise it. “Chuckle and grin are lazy,” one LaWONian told me. Two people here have told me that no one actually uses the word chuckle. “You really use them in conversation?” one asked. “I can’t imagine, except ironically.” Apparently I’m an anomaly.

It’s not just chuckle. Until this conversation began, I had no idea that there were words people hated intrinsically. Sure, I assume that every writer hates words like leverage, proactive, literally, task (as a verb) and decision-maker, for the way they’re so clumsily used. But I was shocked to learn that people hated munch and nosh and grin too, just because. The things I like about those words — that they have edges and an embodiedness to them — were exactly what make other people cringe, apparently.

WinnerMoist

I was still at a loss, until someone mentioned what I’ve come to think of as the most detested word in the English language: moist. I’d never had much of an opinion on the word, and my initial reaction to the group proclamation of hate for it was, really? The first thing it brought to my mind was a cupcake. But then I said moist aloud, slowly. As the word passed through my lips, I felt a lingering disgust. There was something repulsive about the way it formed in my mouth, and once I noticed, I couldn’t un-notice it.

MoistMen_steveLyon

Researchers have a term for this: word aversion, and a recent experiment found that about 20 percent of the study’s 400 participants equated hearing the word “moist” to the displeasure of listening to fingernails scratching a chalkboard. The experiments described in this paper suggested that “semantic features of the word – namely, associations with disgusting bodily functions – underlie peoples’ unpleasant experience.” They don’t say whether this effect is amplified when moist is paired with another word that many people seem to hate: panties. But the researchers (Paul Thibodeau and Christopher Bromberg at and Oberlin College and Robby Hernandez and Zachary Wilson at Trinity University) present another tantalizing but unproven possibility — that speaking the word moist engages facial muscles that correspond to expressions of disgust. Their hypothesis makes sense to me, since the word felt neutral to me until I practiced saying it aloud.

And on that note, I will end this post with a poem from Richard.

Words-we-hate haiku

Ample slacks.  Moisture.

Munch; nosh:  It’s Penis Friday.

Seminal!  (Chuckle.)


Photos: Moist Men by Steve Lyon. Winners use moist towelettes by Brian J. Matis. Sashay by Britt Reints.

Why I’m Smiling in a Megadrought

We had a doozy of a snowfall last week in southwest Colorado, the high desert blanketed a foot and a half deep, the mountains getting a good four feet. Knock on wood, I don’t like to tempt the fates of nature and climate change, and I’m not meaning to brag, I just want to celebrate having to shovel five times in a few days to keep a path open to our vehicles. 

Snow is everything here. This corner of the Rocky Mountains is one reason Lake Powell is draining while Lower Basin States are in a hydrologic tizzy. Low snow packs have become the norm as our reservoirs dwindle and aquifers choke. Another reason for the dryness is Denver, Phoenix, Las Vegas, and L.A., where most of our water goes. I live between here and there and when we get a snow like last week I feel about ten pounds of constant pressure lift off my shoulders. 

Anywhere you live, you feel the pressure. It might be intensified hurricanes, unprecedented heat, or tidal surges submerging streets and basements no one’s ever seen flood. In my neighborhood, it’s snow, or the lack thereof. 

At the café in town, the usuals at a morning table were talking about winters we used to have, backroads in the 1970s impassible till July and now they’re open all winter without plowing. They remembered high country snow over your head lasting months. Bantering and razzing each other about politics — both political persuasions sitting at the table — they talked about climate change and sea level rise without arguing, as if it were as true as sunrise, nothing more than daily news.

In town, we got a brief taste of the last century as plows piled up snow eight feet tall down the middle of the highway. Even the old curmudgeons had to smile.

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The Shoulders of Giants

The first woman to get a Ph.D. in oceanography in the United States—and in North America, and, perhaps, in the world—was Easter Ellen Cupp. She received it from the Scripps Institution of Oceanography in 1934. I learned this because I have been reading about one of Cupp’s supervisors, a man named Harald Sverdrup, for a book on seabirds I’m supposed to have finished. When you work on a book about a science, you tend to read a lot about some very hardworking and accomplished people. Their stories can leave you (me) feeling kind of lousy about your (my) work ethic.

Such is the case with Harald Sverdrup. He was really something. Born in 1888, in the town of Sogndal, Norway, he came from a family known more for farming, politics, and the Lutheran clergy, but he was drawn to the natural sciences. He went to the University of Oslo, where he excelled in geophysics, meteorology, oceanography. When he graduated he studied under Vilhelm Bjerknes, then the world’s preeminent meteorological theoretician. After he finished his Ph.D. he joined Roald Amundsen, who, a few years removed from his triumph at the South Pole, was planning an expedition to the North Pole. Amundsen never reached the pole, but Sverdrup collected reams of data on all manner of natural phenomena. When he returned from the expedition several years later he assumed Bjerknes’ old professorship at the University of Oslo, before being asked to become the director of Scripps in 1936.

At Scripps, Sverdrup more or less developed oceanography as a modern scientific discipline. He established a core curriculum and published the field’s first textbook, The Oceans, in 1942. The Oceans became the standard text for the next several decades; oceanographers still refer to it as “The Bible.” All the while Sverdrup was doing groundbreaking (or waterbreaking) research on the dynamics of ocean circulation, revamping also the research ethos to emphasize long pelagic cruises. He would eventually be memorialized as a unit of flow: the Sverdrup (Sv), or the volume transport of one million cubic meters of seawater per second.

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Science Poem: Wildfire, Hundred Acre Wood

A dark, hazy wildfire scene. The blazing trunks of distant trees can just be made out through the smoke.

In 2019, a forest caught fire in Sussex, England. This would not have made international headlines, except that the forest in question was Ashdown Forest, the real-life inspiration for Winnie the Pooh and Christopher Robin’s beloved Hundred Acre Wood. As the fire spread, dry-eyed forest rangers explained to reporters that the blaze and the little lives it took were no big deal, really, nothing to worry about.

From an ecological perspective, they were probably right. But I just kept thinking about all those little lives: the breathing, fleeing, terrified, heart-beating descendants of Rabbit, Piglet, and Roo. So I did what I often do when things are on my mind. I wrote a poem about it.

We are now entering the third year of a global pandemic—a worldwide conflagration that has already taken so many lives. Reading this poem now, I can’t help but hear echoes of the forest rangers’ impassive assessments in the daily spate of ableist comments from our nation’s leaders. They reassure us that everything is fine, that we don’t need to worry. That only the vulnerable will die.


Wildfire, Hundred Acre Wood

Tonight A. A. Milne’s beloved forest
is burning, tall flames overtaking
the very small animals, smoke choking
rabbits as they flee. No one knows
how it started, and no one
saw the owl emerge. Either he’s still in there
or he got away.

Tomorrow experts on the news will tell us
this is not a tragedy. All’s not lost, says one forest ranger,
indicating the destruction behind him. Within four weeks
we’ll have grass growing. In six months you probably won’t know
too much has gone on here.

*

Image via Unsplash. You can read more about the fire here. A version of this poem was originally published in SIREN.

the lake

Snow-dusted lake.

There is a lake not far from where I live now. I’m not a person who has ever invested deeply in place; I am a child of immigrants and I have always been somewhere temporarily. I don’t know the place where I was born, and as much as I love my hometown, I always knew I would leave it. In college and grad school, I knew I was just passing through. But after almost eight years in Seattle, I’ve finally accepted that I live here. I am here with no plans to leave. While friends have come and gone, breweries opened and closed, politicians elected and disgraced, the lake has been here all along.

Getting to know her has been an honor. Like any other friend, I have become acquainted with her in steps. I met her through friends, and at first, I only spent time with her every once in awhile, and usually briefly, shallowly — just passing through, just saying hello. Now I am there almost every day. Sometimes I am there with others, but most of the time, I’m there just to see her. I have kayaked in her waters, walked and run her perimeter countless times, picnicked on her banks, eaten ice cream on the docks. I’ve seen her many moods: hopeful (daybreak), mysterious (a fog at dusk), moody (grey and misty), furious (driving rain and wind), festive (cross-country skiers gliding new paths into snow), murderous (icy, and bitterly cold), glowing (summer sunsets). Even when she is at her worst, I know it will pass; her emotions are literally the weather. By the same token, she has seen my moods. Some days, I’m euphoric, and the runs feel easy. Other days, I’m pounding the ground, running out my frustration. On the worst ones, I plod along slowly, and the loop I know so well feels impossible, even though I know it hasn’t changed.

She has rewarded my loyalty by introducing me to her friends. There’s the heron that everyone stops to photograph. There are the resident geese and the fearless seagulls, as well as the guy who feeds them baggies of torn-up bread, holding out his arms so they land all over him. There are the cottonwoods, right next to the alcove where hobbyists launch their remote-controlled sailboats. There’s the writer who sets up a table in the summer, asks you for three themes, and handwrites poems while you wait. There’s the round man who always shuffles along at a half-run, half-walk in a dirty white t-shirt and grey shorts. There’s the abandoned payphone by the basketball courts, and the tree that just fell a few weeks ago over by the amphitheater where the Grateful Dead and Led Zeppelin once played. There was, until about a year ago, a tree stump halfway between the amphitheater and bathhouse, which I still look for every time I run.

In the local library, I saw a whole book about her and the plants that grow there. This spring, once everything is lush and green again, I’m planning a heart-to-heart with her where I walk the loop with the book in hand, looking even more carefully at each thing I have passed a million times. Time and attention, I’m realizing, is the only way to show care, to build a lasting relationship with place. For the first time in my life, I am finally committed to staying.

The meaning of patience

What parent hasn’t felt this grim determination at some point during the marathon that is modern, village-less childrearing? I instantly fell in love with this statue on a visit to Moscow (en route to the Kabardino-Balkarian Republic to visit a physics lab under a mountain). I can’t seem to find any information about the sculpture or sculptor, and though it has some stylistic features of propaganda art, I choose to take my inspiration where I can find it.

This week, I encountered a tweet that claimed “The CDC just quietly lowered the standards for speech in early childhood development. Now children should know ~50 words at 30mo rather than 24mo. Instead of highlighting the harmful effects masks and lockdowns have had on children, the CDC just lowered the bar for milestones.” Tens of thousands uncritically amplified the tweet and added to the outrage, but it only took a minute or two to find the real story, if you were actually interested.

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Science Metaphors: Hysteresis

etching of a person fleeing from a skeleton
My future self runs from the mistakes of my past self

This post originally appeared April 19, 2019

My first encounter with the word “hysteresis” was ten years ago when I was editing a particularly difficult electrical engineering feature. That story was one of my favourite I’ve ever worked on, the wild first-person account of the researcher who had unearthed an ancient prediction of a fourth circuit design element, foretold by the laws of mathematical symmetry to augment the holy trinity of electrical circuit design elements: the resistor, the capacitor and the inductor.

Wait! Don’t go! What distinguished this fourth mythical element – today known as the “memristor” – from its workaday siblings was its behaviour, which depended more on its history than on any particular stimulus hitting it at any given moment. This tendency is called hysteresis, and the makers of memristors hope it will make the computers of the future capable of more human behaviours.

But what did that actually mean? Even after months of editing this thing with several of the world’s best electrical engineers at my disposal, I couldn’t wrap my head around the concept. They explained it to me every way they could, including comparing it to the behaviour of a synapse: the connections between neurons can become stronger or weaker depending on the number of electrical signals they’ve traded in the past. They sent me this graph of a bowtie.

a ;inched hysteresis loop on a graph
Pinched hysteresis loop, courtesy of R. Stanley Williams

It was unedifying. I finished the edit without ever coming to grips with the meaning of hysteresis. But over the next decade, thoughts of that maddening bowtie would come to me unbidden. I couldn’t get it out of my head. It gnawed at me because, even though the math was far beyond anything I could handle, there was something familiar itching just under the surface of that shape.

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Helen & Cameron Talk Pandemic Life

A beautiful loaf of bread
Sourdough

Helen: Hello! It is I, Helen! Let us have another vicious fight/discussion/debate about…pandemic life?

Cameron: Yes! Let us! Although I don’t know if it will be a real fight this time, like all of our other very vicious fights. Would it be fair to say we are united in feeling slightly beaten down?

Helen: Oh goodness yes. If there is a winner in this fight, it is definitely the coronavirus. We have been doing this for omg-how-is-it-almost two years now, and I am so done. Except I’m not, because you can still get the thing and give it to other people and kill them, so I’m still wearing my mask and being cautious about what I do and whatnot. But mentally, I am DONE. 

Cameron: Done, yet carrying on. Is there anything that’s helping you with the carrying-on part?

Helen: For me, the answer to surviving a pandemic seems to be: Crafts. I’m not sure I can even count all of the crafts I have taken up over the last two years. Embroidery was first. Then I got a stand mixer and started baking (a lot). Then…yeah like I said, I’m not sure I can count. The most recent hobby is whole wheat sourdough bread, so I’m about two years behind everyone else on that one.

Cameron: I did the sourdough thing early on and I had maybe one–maybe two–successful loaves, and then I did one that turned into a seriously sticky mess that dripped all over the floor. 

Helen: Oh, no!! Did you try any other hobbies? How do you deal with being slightly-to-severely beaten down?

Cameron: Ahhh. .  . some days better than others? I guess when I’m doing a good job dealing, it has something to do with being where I am right now and somehow going. . . deep into that? . This is also something I feel like I have to relearn every day. Like, I’ve been running, which has been great, and I got all inspired and signed up for this run up north. . . but as it got closer, I  realized that . . . what did I realize, Helen? . . . 

Helen: Running is the worst and nobody should ever do it?

Cameron: Oooh, is this our argument? 

Helen: No, arguing about running is boring. I don’t like running. I’m glad you like running! 

Cameron: I think I had this idea that either I was going to meet a friend and do the run, or my family was going to come and we would go to the Monterey Bay Aquarium, or there would be something fun about it. That’s it! It initially sounded FUN. But as it got closer, various things happened (coronavirus) so that I was just going to go by myself, which meant driving by myself, and staying in a hotel by myself, and eating by myself–and usually, this does sound fun, but with all the various restrictions and uncertainties involved in this, it started to sound NOT FUN. So I thought, what would be fun? (Thank you, Catherine Price!) Instead, I planned out a long trail run near where I live. It was beautiful, and my family brought me snacks about halfway, and one of my kids ran with me for part of it. It just made me appreciate being here, and my family (and my own shower and bed), and it was FUN! Where was I going with that? Being here? Being present? 

Helen: Is this about place? 

Cameron: Maybe?  

Helen:  Part of my coping is definitely hobbies. But another part is paying attention to what’s around me. I have learned so many bird songs in the last two years, and have noticed so many more behaviors by the squirrels and birds and bugs. And of course there were the cicadas, my favorite biological event. 

Cameron: I think maybe I keep imagining the end (what we keep thinking is the end) of the pandemic, and I forget something about place because other places look so shiny, and then it takes my brain a while to catch up and remember that it really helps to pay attention to things?

Helen: It took me a while this winter to realize that omicron was creating another pandemic winter, and what I needed to do was go back to my coping skills from January 2021 – teaching knitting and doing art on Zoom with friends. 

Cameron: Yes. I think I have this idea that someday I will not need coping skills any more–but I guess I will always need them even if/when it’s not a pandemic. 

Helen: I think sometimes about the stuff from the pandemic that I want to hold onto after the pandemic. If a post-pandemic time ever arrives. Those things include: Having a ton of unscheduled time at home. In pre-pandemic times, I was doing stuff all the time. I like stuff! There’s so much great stuff to do! I live in a city! With a thriving theater scene! And so much music of all kinds! And I know approximately one million people, many of whom I like, and I make plans to see them! And somehow, through putting all of these wonderful things on my calendar, I ended up with no time to stay home, get bored, and learn how to sew. 

Cameron: I agree. Also I know we both agree that staying home and getting bored are low-level pandemic problems.  

Helen: There’s so much death. Nine hundred thousand people, in this country. The ways the pandemic is kind of crummy for me are nothing compared to how a lot of people are suffering. Also, though, it’s somehow happening to me, too, and this is how I’m experiencing it: A lot of isolation and a lot of crafts. 

Cameron: 900,000 people! It’s a whole huge city of people. And they’re all gone.

Helen: It’s so many people. And each of them had so many people who loved them. It’s awful.

Helen: What’s the next phase of your pandemic? 

Cameron: So, I got a mandolin. I’m not even sure why, I just really thought a mandolin would make me feel better and that the mandolin would be the answer to my musical lacklusterness. I’m sure it would be if I actually practiced. I recently got a hanger, so I can hang it in my shed and, I hope, just pick it up, mess around, and put it back. 

Helen: Ugh, practicing is the worst. I took piano for years and never got the hang of it. Same with voice. I love singing with people, but I don’t know how to practice. 

Cameron: I have the same problem with musical instruments! I know a little bit of a few different instruments, but I have never really known how to practice. It’s actually been really inspiring to see my oldest kid learning to play the violin. He really does it for fun! (Is this a theme?) He just picks up his violin and maybe plays a song–even part of a song–and then sets it down and does something else. But he does that multiple times a day! And he is really amazing after doing that for–well, he started taking lessons in February 2020, so it’s really been a pandemic practice. There’s something about those small increments adding up. And this is reminding me of your daily drawing practice.  

Helen: Yeah, that’s the thing I always tell people about drawing: Did you know, if you practice something, you get better at it?!?!? Someone should have told me this years ago! (Everyone told me this. About everything. My whole life.)

Cameron: One thing that the violin teacher says is not to use the word practice. Just use the word play. Because that’s what you’re doing. Is there some way we could tie that into pandemic living? I mean, if we could only practice pandemic living for 15 minutes a day I’m sure we’d be great at it. 

Helen: That’s such good advice! What a wise teacher. Maybe this is the connection: You can live in the pandemic as if you’re waiting for your regular life to come back, or you can play. For you, playing is doing a long run near home with your family’s support, and for me, playing is picking up every baking- and fiber-related hobby that catches my attention?  

Cameron: Yes! 

Helen: Ok, we’ve learned the lesson of the pandemic. Now can it end? 

Cameron: If we concede that coronavirus has won, will it go away? 

Helen: Worth a try. Ok, pandemic. We’re conceding. Maybe by the time this goes online the whole thing will be done. 

Cameron: Wouldn’t that be great? 

Photo: Helen Fields