Censorship at the Great Firewall

If you were sitting in front of a computer in China right now, you wouldn’t be reading this. Nor would you have seen Cameron’s post about a snail invasion on Monday or Michelle’s piece yesterday on a poem inspired by Marie Curie. In fact, when you tried to open our website, your computer would have heaved and roiled and finally timed out. After several tries, you would have likely concluded that we had server problems and eventually crossed us off your list.

That’s exactly what the government of China wanted. Currently, the Last Word on Nothing.com is persona non grata in China, blocked from its millions of computers. The country’s Great Firewall—the massive internet censorship operation masterminded by the Ministry of Public Security in Beijing—has risen up against us and struck our website down. Continue reading

An Instrument in the Shape of a Woman

There are poems about science. There are poems about scientists. But I know of only two poems about women scientists — about women doing science, that is — and both were written by the same person: the brilliant, defiant, influential poet Adrienne Rich, who died last week at the age of 82.

From “Power“:

Today I was reading about Marie Curie
she must have known she suffered    from radiation sickness
her body bombarded for years    by the element
she had purified
It seems she denied to the end
The source of the cataracts on her eyes
the cracked and suppurating skin    of her finger-ends
til she could no longer hold    a test tube or pencil
She died    a famous woman    denying
her wounds
denying
her wounds came from the same source as her power

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Snail Season

It is springtime, and the snails are upon us. They are upon the lemon leaves, and the stucco walls, and the umbrella stand. Somehow, they are upon the closet doors, which happen to be inside the house. They are upon the roof rack of the car as it travels six hundred miles north to Mount Shasta, and they emerge unscathed.

Beware the person who steps barefoot into the grass at midnight. The ten yards to the bathroom now seems much preferable to the sickening crunch of a shell beneath the heel.

This is the first place I’ve lived that had so many snails. During the first few years in this house, I heard an odd sound at night, a cross between a scratch and a squeak.

One rainy evening, I looked up. Dozens of snails slid along the greenhouse that shelters our dining room table. (The greenhouse is the addition of the man who lived here previously. I have been to his new house, where he installed an even larger one, facing west. Ours, a prototype, is south-facing, and in the winter it is lovely and warm. In the summer, it is hot.)

The brown garden snail lays as many as 80 eggs a month, and can breed six times each season. No wonder it feels as if we’re being overrun. Continue reading

Abstruse Goose: Dangerous

I was going to explain the connection between gravity, general relativity, and time.  But I understand less than half of it and anyway, that’s not what our boy AG is really talking about here.   He’s talking about coming to grand conclusions based on understanding less than half of something.  And the guy he’s quoting, Alexander Pope, says that better than I can. Continue reading

Correcting Hollywood Science: The Microexpressions of Mike Daisey Edition

This past weekend I spent too many hours on Netflix watching Lie to Me, the Fox television drama that ran from 2009 to 2011. It’s a crime procedural (my favorite genre) about Dr. Cal Lightman, a psychologist who can spot liars by analyzing their body language and super-fast facial ticks, called microexpressions.

On the show, Lightman’s obsession with faces stems from a decades-old film of his mother recorded by her therapist. She had been institutionalized for depression, but on the film, she tells the therapist how good she feels after treatment, and how she longs to see her children. The therapist is convinced, allows her to go home, and she promptly commits suicide. After years of analyzing the footage, Lightman discovers that his mother’s face had shown flashes of agony while she lied about her happiness. He goes on to create a system for coding subtle facial expressions and launches a consulting firm, The Lightman Group, that helps police (and all sorts of other clients) detect when individuals are lying, and why.

It’s one of those shows that sticks with you, or with me, anyway. For the past few days I’ve been surreptitiously scrutinizing the faces of everyone I see—people exchanging small talk at a birthday party, people telling outrageous true stories on stage, my longtime friends, even my fiancé. Could I discover their hidden feelings just by paying closer attention? It’s tricky, of course, when you don’t know if someone is lying. But what about when you do know, like in the sad case of Mike Daisey?

Yesterday I hatched a plan: Learn the basics of the real science behind Lie and Me, then watch a bunch of old Daisey clips on YouTube and root out the signs of his deception.
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Look Me in the Eye and Lie

I know Erika already covered the Mike Daisey/TAL/Apple story and so did a lot of other people as smart as she is.  But I’m a slow thinker, so I’m coming in to this a little late and out of left field.  The left field in this case is epistemology, which is “the study of knowledge and justified belief.”   Justified belief — knowing that what you know is reliable and worthy of trust — is why I like science.

Science – or physical science anyway – accomplishes all this epistemological goodness by having theorists and observers/ experimentalists stage a running death duel.  Theorists take the facts that observers observe or experimentalists find, and arrange them into a theory, a model, a picture, a story – their terms vary.  Observers and/or experimentalists narrow their eyes, spit on their hands, and design observations and experiments that blow the theorists’ theories to smithereens.  Theorists counter by refining their theories to accommodate the newly-found facts, and the duel continues on and on, years, decades even, centuries sometimes, until theory and fact converge and everybody agrees:  for right now, anyway, this is as close to the truth as we can get.  Without theory, facts are incoherent; without fact, theory is airy nonsense.  Without both, nothing close to the truth.

I’m tempted to say the same duality — coherence vs. complicated reality, story vs. facts — operates in fiction vs nonfiction, but it doesn’t, not really.  Continue reading

The Compulsion to Count

 

For as long as I can remember, I have counted. If I’m on a train I might count the electric lines we pass or the rows in my car or the number of windows on each side of the aisle. When I’m bicycling, I count pedal strokes. It’s not something I do deliberately; I’ll just suddenly catch myself doing it. It feels like my mind doodling.

I’d never really thought about it, until once, years ago, my aunt Sandy, my mother and I were driving by a string of power lines on the Kansas prairie and somehow Sandy mentioned that she’d been counting the power lines. Big deal, I thought. Doesn’t everybody do that? Mom didn’t know what the hell we were talking about.

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