Rounding a corner in Manhattan last week, I saw a handprint spray-painted on a wall. It was my hand. I had put it there last summer, my first and only piece of graffiti. It was nothing special, no artistic flair other than my five fingers. I had gloved my hand in plastic wrap and waved spray paint over it, creating a simple stencil out of part of my body, one of the oldest forms of enduring human expression.
The wall of the building had originally been a sprawling gallery of graffiti until, against the wishes of those living inside, the city whitewashed the whole thing. I was staying with one of the residents when the white-washing occurred. She invited me to go to the wall and plant a new seed. She was hoping graffiti artists would soon return and start the process again. A print was needed to kick off the next wave.
Last week, I was glad to see that the seed had taken hold. Several new images had sprung up. Continue reading