Redux: The Mark We Leave

No automatic alt text available.

 

A friend, author Ginger Strand, recently took this picture of a handprint I spray-painted on a wall in Manhattan. When I put it up a few years ago, the wall was blank, and she wanted me to know that graffiti has bloomed around it, along with this sweet little cluster of stars somebody put there (how I love you, whomever you are). On Thanksgiving, when in school we used to trace our hands onto construction paper and turn them into turkeys, I thought this would be a fitting post. The post originally went up in the winter of 2016.

Rounding a corner in Manhattan, I saw a handprint spray-painted on a wall. It was my hand. I had put it there last summer, my first and only piece of graffiti. It was nothing special, no artistic flair other than my five fingers. I had gloved my hand in plastic wrap and waved spray paint over it, creating a simple stencil out of part of my body, one of the oldest forms of enduring human expression.

The wall of the building had originally been a sprawling gallery of graffiti until, against the wishes of those living inside, the city whitewashed the whole thing. I was staying with one of the residents when the white-washing occurred. She invited me to go to the wall and plant a new seed. She was hoping graffiti artists would soon return and start the process again. A print was needed to kick off the next wave.

The oldest known rock art of a handprint was recently dated at 39,900 years ago in a cave on the Indonesian island of Sulawesi. The technique was more or less the same as mine. Wet pigment had been blown across and hand pressed against the rock to leave a negative impression.

Is there anything more indelible and primally human than the image of a handprint? The oldest print in the cave on Sulawesi is part of 12 prints painted at different times around images of animals. What was on their minds is hard to say, but it is a sentiment that is seen around the world. Other Paleolithic stencils of hands have been found throughout caves in Southern France, the oldest in Chauvet Cave dating to 31,000 years ago. El Castillo Cave in Spain has handprint stencils in red ochre dating to 37,300 years ago. From Indonesia to Europe, give or take 10,000 years, people were leaving the same expression. Continue reading

We walk on waves; they fly below

It has been said that penguins appear to be wearing tuxedos—crisp and elegant in their blacks and whites. This is not so of Humboldt penguins. If Humboldt penguins are wearing tuxedos, then they have been wearing them to jump trains for a couple of weeks, sleeping atop coal slag or down in the dingy corners of yawning boxcars. The birds are gray and ragged around the edges, their white chests flecked as if with cinder burns. And their eyes look like the last edge of a hangover receding—bloodshot, merry, curious. They look like they have seen some things.

These are the eyes that peer up at me through the wire-grate door of an upended cat carrier, on the deck of a boat, 35 miles offshore of Chile in the southeast Pacific Ocean. Continue reading

Mary Poppins Is An Anarchist In Strict-Nanny Disguise

“If this was a democracy, you would still lose,” is something my husband has told our 3-year-old after she objects to our decisions. I can feel the frustration build in her as though it were tightening my own chest. But in the world of Mary Poppins, she doesn’t have to take that kind of adult treatment. In that world, authority figures seem strict, but they are actually magical beings who provide weird and happy experiences, usually including animals. In that world, a kid can clean up her room by sheer magic! Cast off the shackles of yesterday, indeed.

I have watched Mary Poppins with my daughter approximately 367 times since March, and I’ve realized something. My daughter loves it for more than the animation, the silly songs, and the grace and wit of the inimitable Julie Andrews (whom none of us deserves). I think she loves it because the movie appeals, in grinning Technicolor, to a kid’s natural sense of anarchy. Mary Poppins is a gloriously leftist fantasy and I am here for it. Continue reading

Singing Our Hearts Out

This was originally posted August 5, 2013. I just spent all weekend singing with many of the same people I was singing with then, so I thought this – my first post as a person of LWON – was worth sharing again. 

That's me in the red jacket.
That’s me in the red jacket.

Recently I was rehearsing a glorious 16th-century motet with a group of 20 or so people. Haec dies quam fecit Dominus, the song begins. This is the day that the Lord has made; let us be glad and rejoice in it. It’s an Easter text and a lovely thought, whether or not you think the Lord actually made this day or whether the day made itself, thank you very much, from the rotation of the Earth. This is a day; let’s enjoy it.

The piece is by William Byrd, an English composer of Shakespeare’s time—yes, he’s wearing a ruff in his portrait—who wrote a lot of sacred music like this. The idea that different people could sing different things at the same time was fairly new in the Renaissance, and composers like Byrd went to town with it. Continue reading

Elves in the Balance: An interview with naturalist David Mizejewski

I first saw the elves on the floor of my best friend’s station wagon when I was seven. Grinning up from the back of a big book, these elves looked different from any other elves I’d seen. I’d always thought elves were a little wimpy, but instead of being fragile fey, these elves seemed fun. Even better–they had wolves!

This was my first experience with Elfquest, a fantasy comic series that is celebrating its 40th anniversary this year. The series, created by Wendy and Richard Pini, chronicles the adventures of an elfin tribe that has a deep connection to their landscape and to wolves. Years ago, I read and re-read the first four graphic novel compilations so often that the pages grew soft. Recently, I came back to Elfquest after a long absence to find that not only had new installments had appeared, but that an extensive community of Elfquest lovers was frolicking (and also, delving into extensive analysis and speculation) online.

One of these Elfquest superfans is David Mizejewski, who has been the co-host of a podcast dedicated to the most recent part of the series, Elfquest: The Final Quest. He’s also a naturalist who works for the National Wildlife Federation and he appears regularly on television and radio shows to talk about wildlife.

As I listened to the podcast, I found that Mizejweski was sprinkling in details about altruism in nature and wolf social structure as he discussed the latest cliffhanger with co-host Ryan Browne. Last month I talked with him about the connection between his work as a naturalist and his interest in the series. The following is a condensed and edited version of our conversation. Continue reading

My Daughter and the Not-Perfect Bunny

You woke up screaming in the middle of the night, frantic. You held up your bunny, a floppy square of pink blanket attached to a long-eared rabbit head. “This bunny is not perfect,” you wailed.

I knew what you meant. This bunny, one of three identical bunnies, is the oldest, the most worn. His fur is a little less pink than it used to be, a little less soft. He’s clean, but the whites of his ears have grown dingy.

So, yeah, this bunny is not perfect. This bunny was loved — drug across the playground, stuffed into the trunk of your trike, abandoned briefly on the floor of the bar where your favorite musician sings the song about a peanut getting hit by a train. This bunny was loved, and with love he got used. That should make him more appealing, not less.

Continue reading

Redux: Goodbye to the Friend I Never Met

I wrote this piece a year ago at the end of an exhausting story about the end of a species. I was angry and despondent. I wish I could say that a year has changed my perspective. Scientists have spotted a surprising six individuals more during their expedition to the Upper Gulf this year. But nothing substantive has changed in the politics of the region and my hopes are dim. 
Saturday was the day I finally gave up. The last hope for the vaquita marina, the world’s smallest and most endangered cetacean, is gone. On Saturday, biologists working in the Upper Gulf of California announced that the latest animal they had captured in an effort to save the species had died in captivity.

For the first half of 2017, I was knee deep in a story I’ve been following since I got to Mexico six years ago. In summary, an animal that had found itself on the wrong side of rampant poaching practices is all but wiped out and the last option is a Hail Mary plan to round them up into captive pens and hold them until such time as humans stop sucking at ocean stewardship. (For a full review of the vaquita’s tragic tale, I really encourage you to read the story.)

But there was always a problem with this strategy – no one had ever tried to catch one before. It was possible they wouldn’t go quietly into pens.

“If captivity fails, then, well, we tried,” NOAA biologist Barbara Taylor told me in the spring. “It’s game over.”

After Saturday, I think it’s game over. The vaquita doesn’t do captivity. The first animal caught by biologists got so stressed out that it had to be released. The second died within hours. We have now officially done more harm than good in our attempts to save the vaquita. In fact, this whole effort has been one long lesson in throwing the porpoise out with the bathwater. From the beginning, it feels like we’ve tried to help the vaquita with the best of intentions and have only made things worse.

Continue reading

Redux: An interview with David Grinspoon, author of Earth in Human Hands

David Grinspoon is a comparative planetologist and an astrobiologist. He’s also a big book nerd, and his love for both fiction and nonfiction are proudly on display in his own book, Earth In Human Hands: Shaping Our Planet’s Future. The book was recently featured in an ongoing series on “Resistance Reading” selected by authors and published by Mother Jones. Author Jesmyn Ward picked it as part of her list. In her words, “this book provides a sobering exploration of how human beings have affected the climate of our planet, but also gives us reason to hope in the end. We need that now.”

I agree. Here’s an interview with Grinspoon that originally ran in March of 2017.

Continue reading